Since 2003, David Wang has released a body of work that pretty much runs the gamut of experimental electronic music. As “Mochipet“, Wang made his first waves with his mash-up masterpiece, “Combat“, on the Violent Turd label (an offshoot of Kid606’s seminal Tigerbeat6 techno label), in 2003. Breakcore-inspired exercises like “Yes vs. NoMeansNo” and “They Might Be Giants vs. Lyrical Giants” proved that the mash-up genre has more to offer than Girl Talk’s pop-friendly blend of modern hip-hop and radio hits. From there, Mochipet went on to release “Uzumaki” (2004, Component Records), a blend of cut-up beats, ethnic percussion, and tense ambience. 2007’s “Disko Donkey” (on his own Daly City Records label) saw Wang move toward the more dance floor friendly styles of disco, techno, and electro-pop with a little help from friends, like minimal queen and BpitchControl label-head Ellen Allien and SF rockers Scissors For Lefty. ...
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